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Peter Vronsky
Peter Vronsky is a Canadian author, filmmaker and investigative historian. He holds a PhD in criminal justice history and espionage in international relations from the University of Toronto. He is the author of a bestseller true crime history ''Serial Killers: The Method and Madness of Monsters'' (2004) and ''Female Serial Killers: How and Why Women Become Monsters'' and the director of several feature films, including ''Bad Company'' (1980) and ''Mondo Moscow'' (1992). He is the creator of a substantial body of formal video and electronic art works and new media.〔''Vanguard Magazine'', November 1983, p. 47; ''Art London Review'', Vol IV No. 3, 15 March 1984; John Bentley Mays, "Peter Wronski presents a garage sale of a show, ''Toronto Globe & Mail'', January 21, 1982, p. E3; Lisa Balfour Bowen, "Even Sadat's death becomes stuff of wry comedy for innovative video artist", ''Toronto Star'', January 16, 1982, p. F5; Susan Mackay, "Confession booth among video wizardry", ''Globe & Mail'', August 15, 1984, p. M9; Dan Proudfoot, "The Video Art Vortex", ''Toronto Sun'', October 28, 1984, p. S3; Christina Ritchie and Allan Blaine, ''Signal Approach'', Catalogue to accompany the video series Signal Approach, held at The Funnel Experimental Film Theatre, Toronto, January 9 - March 13, 1985, The Funnel, 1984: http://mikehoolboom.com/thenewsite/wp-content/uploads/2013/08/Signal-Approach.pdf; http://www.rewind.ac.uk/documents/Steve%20Hawley/SHA008.pdf〕 He has also worked professionally in the motion picture and television industry as a producer and cinematographer in the field of documentary production and news broadcasting with CNN, CTV, CBC, RAI and other global television networks in North America and overseas.〔"Danger Man: The Underground Adventures of Peter Wronski", ''Metropolis Magazine'', Vol. 1, No. 4, June 9, 1988; Enrico Sorrentino, "Due Marine per Lee", ''L'Espresso'', 23 February 1993, p.61.〕 Vronsky's most recent book was published in 2011, ''Ridgeway: The American Fenian Invasion and the 1866 Battle That Made Canada'', a controversial new history of Canada's first modern battle - the Battle of Ridgeway fought against Irish American Fenian insurgents who invaded across the border from the United States on the eve of Canadian Confederation shortly after the American Civil War. He currently lectures at Ryerson University History Department in the history of international relations, terrorism, American Civil War, Third Reich, and new military history.
==1970s==
Film writer for magazine ''Cinema Canada'' and University of Toronto's ''The Varsity''; Member of Toronto Filmmakers Coop; University of Toronto Film Board (Hart House); studied with Canadian film directors Don Shebib, Clarke Mackey, and Peter Pearson; dropped out of University of Toronto at the end of his second year to pursue filmmaking full-time; wrote and directed two thirty-minute short drama films starring Paul Young from the Cardboard Brains: ''American Nights'' (1976) and ''The Sheep-Eaters'' (1977); Canada Council and Ontario Arts Council Grants; directed and produced thirty-minute music documentary special on punk rock for CBC television ''Crash'n'Burn (Dada's Boys)'' (1977) with the Viletones, Teenage Head, Dishes, The Ramones and The Deadboys, filmed at CBGB in New York and the New Yorker Theater and Crash'n’Burn in Toronto.〔http://www.thelastpogo.net/peter-vronskys-crash-n-burn-movie/〕 (Not to be confused with Ross McLaren's independent Crash 'n' Burn made the same year on the same subject. Produced and directed feature film, ''Bad Company'' (1980). Assistant-Director on Canadian feature films: ''Nothing Personal'' (1979), ''The Last Chase'' (1979) and ''Screwballs'' (1981). Vronsky frequently collaborated with documentary filmmaker Peter Lynch (director) on Video Culture International projects and with horror film director Tibor Takacs who before he left for Hollywood worked as a D.O.P. and Art Director on several Vronsky films.〔http://cinemacanada.athabascau.ca/index.php/cinema/article/viewFile/2146/2197〕
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